Thursday, 22 February 2018

Horror vs Thriller

Differences between thriller movies & horror movies.


  • First factor that differentiates both themes of film is that a thriller is more psychological and requires more thought and explanation as to what happens within the film, whereas a horror has mainly blood and gore with careless actions of violence.

  • Horror and Thriller DO overlap. Let's start with the obvious: whilst Horror can be thrilling, Thriller can be horrifying. This is never more obvious to writers than in the Supernatural Thriller and Supernatural Horror subgenres, but this does NOT mean the two are the same.

  • In a thriller, "who done it" is usually known to the reader, and often times to the main character. The goal is not to solve a mystery, but rather to catch a criminal, or stop a crime from being committed. A thriller is a mystery that de-emphasises cerebration, and emphasises action and suspense

Horror film:



Thriller film:




The top 10 worst thrillers ever

10. The Room

Who's responsible? Director/screenwriter/star Tommy Wiseau. Why it's on the list Famed far and wide as the most inept film ever made, The Room combines the worst of every discipline, to the extent that it was dubbed "the Citizen Kane of bad movies" by Entertainment Weekly. Redeeming feature It's the most fun you can have watching a terrible movie, with its midnight screenings consistently drawing crowds and audience members throwing plastic spoons at the screen. And the interviews it has prompted with Wiseau are equally bizarre.What the critics said "Given audience reaction, pic may be something of a first: A movie that prompts most of its viewers to ask for their money back -- before even 30 minutes have passed. Maybe that has something to do with the extreme unpleasantness of watching Wiseau and actress Juliette Danielle engage in a series of soft-core sex scenes; or with the overall ludicrousness..." - Scott Foundas, Variety
50 worst films ever

9. Highlander 2: The Quickening

Who's responsible? Director Russell Mulcahy. Why it's on the list The original Highlander is no one's idea of high art, but its concept and execution had a certain elegance to it. But that movie's catchphrase - there can be only one - turned out to be true in more ways that the filmmakers realised: this sequel pissed all over the narrative and logic of the first film, as well as being, in itself, completely incomprehensible. Redeeming feature People get their heads chopped off. Hurrah! What the critics said "Mulcahy and company don't ask us to suspend disbelief; they ask us to pretend we've all had weed-whacker lobotomies..."Highlander 2" is little more than a barbarous arena, a Conanistic return to paganism for those among us who still laugh at violence." - Rita Kempley, Washington Post

8. The Happening

Who's responsible? Director/screenwriter M. Night Shyamalan, Mark Wahlberg, Zooey Deschanel. Why it's on the list How could it all go wrong for such talented filmmakers? Shyamalan says that Wahlberg and Deschanel's overly mannered performances were a deliberate throwback to disaster movies of yesteryear; to everyone else, they felt forced and flat. And as for Walhberg's scene talking to a plastic house plant - God save us. Redeeming feature The premise is a creepy one - and some of the initial suicides are terrifying, particularly the hairpin-through-the-neck one. What the critics said "Now we have this ill wind, this feeble gust of an environmental horror story? Perhaps, with his next film, he'll have a surprise twist of cinematic brilliance that will explain and atone for the creepy stuff that's been happening to him." - Richard Corliss, Time
50 worst films ever

7. Sex Lives of The Potato Men

Who's responsible? Director/screenwriter Andy Humphries, lottery players, the whole of the British film industry. Why it's on the list Two chip-shop delivery men dreaming of wild sex and easy women instead slip into boorishness, misogyny and crude jokes. All of that might, maybe, be just about OK if it was funny - but this is so cringe-inducingly nasty that it just isn't. Redeeming feature Lucy Davis, who deserves better than a place here. What the critics said "This is one of the two most nauseating films ever made a seedy medley of sketches a masterclass in filmmaking ineptitude." - James Christopher, The Times

6. Heaven's Gate

Who's responsible? Director Michael Cimino. Why it's on the list The story goes that director Michael Cimino asked why no one was drinking champagne at his film's premiere, and was told, "Because they hate the movie, Michael." There are five uninterrupted minutes of fiddle playing - on roller skates - and Jeff Bridges throwing up, also on roller skates. But it's a Western - go figure. Redeeming feature The 219-minute cut is said to be considerably better than the original 149-minute version. What the critics said "Heaven's Gate" is something quite rare in movies these days -- an unqualified disaster." - Vincent Canby, New York Times
50 worst films ever

5. Epic Movie

Who's responsible? Writer-directors Jason Friedberg & Aaron Seltzer. Yet again. Why it's on the list A lazy collection of recreations of scenes from blockbuster movies and, for no obvious reason, the likes of Nacho Libre and Borat, but with added scatological humour. Even if that were forgivable, the waste of actual talent like Crispin Glover and Kids in the Hall's Kevin McDonald is not. Redeeming feature The aging Harry Potter cast gag is a good idea, briefly. What the critics said "The cinematic equivalent of a tapeworm, this delivers few laughs beyond the initial chuckles of recognition. Seltzer and Friedberg (who also directed) have another script in development called Raunchy Movie; one idea they may not have considered is "Watchable Movie." - J.R. Jones, Chicago Reader
50 worst films ever

4. Raise The Titanic

Who's responsible? Director Jerry Jameson, screenwriter Adam Kennedy. Why it's on the list A film so expensive that its producer famously quipped it would have been cheaper to lower the Atlantic, this Titanic flopped at the box-office and caused author Clive Cussler, on whose book it was based, to deny Hollywood his books for 20 years (then he allowed Sahara, which is another story). Redeeming feature The sight of the wrecked Titanic sailing into New York is strangely moving. What the critics said "The execution is so bland it makes even the ludicrous stretches of the plot seem airless and unexciting. When we finally get to the disaster movie in reverse section of the film, any potential thrill is lost in swathes of boring exposition and in undistinguished special effects (where did the money go?). It feels as tethered and limp as a TV movie." - Ian Nathan, Empire
50 worst films ever

3. The Love Guru

Who's responsible? Mike Myers. Why it's on the list A comedy so bad that it made us question whether any of Myers' back-catalogue had ever been funny, this starts with an unoriginal character and borderline racist and sexist humour before heading straight for the toilet. When shagging elephants are your comedy centrepiece, something is seriously askew. Redeeming feature For the second time on this list, Justin Timberlake is the best thing in this. Here he's a well-endowed French-Canadian ice hockey star. Honestly, we were surprised too.What the critics said "The Love Guru is downright antifunny, an experience that makes you wonder if you will ever laugh again." - A.O. Scott, The New York Times
50 worst films ever

2. Battlefield Earth

Who's responsible? Director Roger Christian, L. Ron Hubbard, the whole of Scientology. Why it's on the list John Travolta as a dreadlocked, 9ft. tall alien. Forest Whitaker as his dimwitted sidekick. Barry Pepper saving the world. Alien invaders kept at bay by thousand-year-old technology stockpiled by the good old US of A. The only way this could be more ridiculous would be if all those involved played it dead serious but looked as camp as Christmas? Oh, wait. Redeeming feature When viewed as a comedy, it's high-larious. What the critics said "Pretty much the Showgirls of sci-fi shoot-em-ups" - Dennis Harvey, Variety
50 worst films ever

1. Batman and Robin

Who's responsible? Director Joel Schumacher, screenwriter Akiva Goldsman, George Clooney, Arnold Schwarzenegger. Why it's on the list Gaining nearly three times as many votes as the next entry, this was a runaway loser. From the neon design to the overblown script to the infamous Batnipples, it's become a byword for franchise-killing and bad movie-making. Redeeming feature A good half of the population would argue for Alicia Silverstone's arse in the Batgirl suit; the rest for George Clooney in a tux. What the critics said "[The cast] is quite a line-up, boasting a broad choice of dramatic styles, and what lends the movie cohesion and integrity is the fact that all those inv

How to have a 'good bad horror film'

The Qualifications

The Good Bad Movie genre is not easy to define. The line between so-bad-it’s-good and so-bad-I-left-the-theater is quite thin; taste is subjective, and what one person finds to be amusingly bad others may consider plain bad. The emergence of parody movies, meanwhile, raises questions about how integral artistic intent is in giving a film the Good Bad label. Therefore, following these three rules is a solid, efficient way to determine whether a movie is Good Bad:
  1. Enjoyment of the movie must be derived from its badness. Its badness needs to be the thing that creates a sense of bewildered enjoyment.
  2. There must be a pervading sense that those who made the film thought what they were doing was great, or at least good. Good Bad Movies have minimal self-awareness. Here are two examples that may help explain this sentiment: (1) MacGruber is not a Good Bad Movie, it’s a tribute to Good Bad Movies, and (2) Fast Five is not a Good Bad Movie, it is a movie that intentionally wades into ridiculousness (and then manufactures a reaction similar to the one a Good Bad Movie elicits naturally).
  3. The movie must have been something of a critical failure when it was released. Critics, god bless them, hold movies to a high standard as an art form and generally don’t reward a movie for being of low quality. In that way, they’re a helpful, as-objective-as-possible resource in determining which films are bad, and therefore eligible to be Good Bad.
EXAMPLES

10 dumb things people do in horror films

10. INVESTIGATE WEIRD SOUNDS.

Renaissance Pictures
Renaissance Pictures
Hey, maybe take the Gates of Hell being ripped open as an excuse not to go check out that strange sound outside the creepy cabin you’re staying in. If Cheryl, from The Evil Dead, had followed that bit of advice, she might have avoided the worst first date with a tree since Saruman took one for the team in The Lord of the Rings. Time and again, these fools take any excuse to leave the safety of their homes, and go investigate the inky blackness on the other side of their locked door. I don’t know about you, but I could hear a marching band coming down the street at three in the morning, and I’m just locking my door and grabbing my gun. Then again, I hate marching bands.

9. DECIDE TO GIVE THAT FREAKY HAUNTED HOUSE ONE MORE SHOT.

Poltergeist/MGM
MGM
Sure, it’s built on an Indian burial ground, and demons have kidnapped one of your children and taken her to The Nethersphere, but have you seen the finished basement in this house? You don’t just walk away from something like that. Haunted house movies would be awfully short if folks did what any sane person would do, and hightailed it out of there the first time the wallpaper started bleeding. Instead, these white-bread suburbanites seem to always find some excuse to put off the big move until something really awful happens. I mean, maybe just let the poltergeist keep the kid, right? They could turn her room into a home gym!

8. FAIL TO CHECK THE BACKSEAT.

Falcon International Productions
Falcon International Productions
How hard is it to take a peek in the backseat before you start up the car on a spooky night? Just a quick glance to confirm there aren’t any killers or old Starbucks cups taking up too much room back there. If there was a serial killer loose in my neighborhood, I’d be checking my backpack for him before putting it on. Instead, in everything from Urban Legend to Let Me In, pretty young people find themselves on the business end of something pointy because they didn’t just check to see if a maniac in a mask was crouched down in the back seat, uncomfortably waiting for his chance to strike.

7. SPLIT UP.

The Thing/Universal Pictures
Universal Pictures
If there’s a monster hunting you and picking off your crew one by one, maybe stick together. You’ve got a better chance of fighting it off, or at least shoving the guy you like the least into its mouth and making a run for it. And yet, time after time, the best plan anyone in horror movies can come up with is to split up, snoop around in the dark by themselves, and report back after they die. It’s insanity, especially in The Thing, which has a monster that can transform to look like anyone. Hmmm, maybe if you stuck together you wouldn’t need to spend the rest of your time alive guessing who’s your annoying coworker and who’s an alien with a taste for bearded men.

6. TAKE OFF WAY TOO MUCH CLOTHING AFTER GETTING HURT.

Universal Pictures
Universal Pictures
Okay ladies, just because you got a scratch doesn’t mean you need to strip down to your undergarments. I know, you don’t want to bleed all over your good pair of jeans, but maybe consider the fact that you’re going to be running away from this killer or alien or desert slug for a good bit still, and you don’t want to have to do that in the near buff. Especially when your male friends are all suspiciously fully clothed.

5. GO INTO DARK, SCARY BASEMENTS.

Artisan Entertainment
Artisan Entertainment
Look, unless your basement has a foosball table and some sort of neon signage, I’m not going down there. Dark, dank basements are for storing Christmas decorations and getting murdered. And yet, time and again, from The Evil Dead to The Blair Witch Project, people decide that heading down the stairs instead of out the door is their best bet. Worst case, there’s a demon down there. Best case, you get thrown in a pit and asked to put some “lotion in a basket.” Probably better to just stay on the first floor, where no one ever dies.

4. HAVE SEX IN WEIRD PLACES.

Paramount Pictures
Paramount Pictures
We all like to mix things up. Skip the bed, and head all the way to the living room couch to get our freak on. But when you’re friends are being picked off one by one by a resurrected reject in a hockey mask, maybe it isn’t time to do the nasty in the abandoned mental hospital on the edge of town. Of course, when you get this many nubile young airheads together, they’re going to get a little frisky, but can’t they do it in a well-lit room with locks on the door? Safe sex doesn’t just apply to condoms, people.

3. HIDE IN THE MOST OBVIOUS SPOTS.

Warner Bros.
Warner Bros.
We get it. You’re scared. There’s a creep with a knife hot on your tail. You just want to curl up in a ball and die. Well, not die, but hide. Then you see a closet, or a bed, and figure, he’ll never look in there. He’ll just march through the room, back out again, and be on his merry way. But that never happens. Michael Meyers always checks closets. Kidnappers always “taken” you if you hide under the bed. These are obvious places for anyone who isn’t a moron. And your whimpering and choked back tears aren’t exactly helping matters. Get out of there, for the love of God. Instead, you’re basically hiding behind a potted plant.

2. TRIP OVER EVERYTHING IMAGINABLE WHILE RUNNING AWAY.

Vertigo Entertainment
Vertigo Entertainment
Why is it that the end of every horror movie has more pratfalls than a Three Stooges short? For some reason, a damsel in distress can’t run three feet without tripping over ever twig and crack she comes across. It doesn’t matter how much you yell “GET UP!” at the screen, they always end up on their knees. Look, just because you’re scared doesn’t mean you have to lose all equilibrium. Have some self respect. Stay on two feet. Most of these killers and monsters can’t lurch more than two miles an hour. A healthy jog is going to get the job done. Just keep it together, and remind me not to run a 5K behind you.

1. SAY “I’LL BE RIGHT BACK” LIKE SCREAM NEVER HAPPENED.

Dimension Films
Scream/Dimension Films
Scream blew this one out of the water, but not without cause. There are countless examples in the Friday the 13th and Halloween movies where someone says, “I’ll be right back,” only to never be seen again. And yet, somehow, movies like Paranormal Activity: The Marked Ones still have folks using the phrase unironically. You know what, if those characters haven’t seen Scream, they deserve to die.

Health and safety

Ensuring Health and Safety in my thriller

When filming it is crucial that you have the correct health and safety as if you don't, the repercussions could cost more then the entire film itself!

  1. Make sure to connect the tripod to the camera tightly so it doesn't fall off and break or smash into something/someone.
  2. Make sure to have necessary facilities near by, such as food, toilets etc.
  3. First aid kit to be carried everywhere.
  4. Permission to film on site. 
  5. Notes of any allegories. 
  6. Every piece of equipment insured. 
  7. If someone is filming, and someone is acting, someone should also be watching the remains of the equipment.

Monday, 19 February 2018

How i decided the death of my actresses

Deciding on how to stage their deaths


When deciding how to kill my actresses, I knew that I didn't want to film them being killed, just before and after. So the location for the deaths were very important as it would have to explain how they were killed. I also found it imperative to make it relatable and realistic as thats what I look for in a thriller film.

Megan - a normal teenage girl, whilst sleeping being stabbed.

Emma- A girl swimming in her pool, and she gets drowned.

Jane- A girl walking her dogs, shot in the face (I was just lucky it snowed that day.)

Jolie - A girl out of the shower, doing her daily routine, slit by the throat.




Friday, 2 February 2018

Why I changed my characters throughout filming

Changes to my characters:


Originally I was using:

Adam Salih as my killer
Emma Conway as a victim
Georgie Bigwood as a victim
Zara Nimmo as a victim
Jolie Sharpe as a victim
Megan Yeabsley as a victim

What I am using now:

Robert Sharpe as my killer
Emma Conway as a victim
Jolie Sharpe as a victim
Jane Sharpe as a victim
Megan Yeabsley as a victim

The changes I made:

Zara Nimmo and Georgie Bigwood are not victims anymore
Adam Salih is not the killer anymore
Jane Sharpe is a victim

Why did I do this?

When I did my original filming with Zara and Georgie i did not the final product and as they live so far away from me it was not easy or practical for them to come over again and film.



As for my Killer, Adam did not look big or scary enough so I used my dad who was very practical to film as we live in the same house - and he is much bigger than Adam.



I added my mum as one of the victims, as it snowed and she was the only one at home and i felt like the backdrop of the white in my garden was too good to miss.


Feeling after finishing my coursework and the feedback from my friends

UNLIMITED Once completing my Film and Evaluation I was really happy as I have spent 6 months working on it. ...